Usefully, the RX-FX rears can be configured as bi-pole or di-pole speakers depending on where they're placed and whether you like your effects direct or diffuse – make your choice using the switch on the back. It teams up with the 6in C-C-CAM bass and bass/mid drivers to form a two-and-a-half way system.Ĭritical dialogue duties fall on the shoulders of the RX-Centre, which uses the same driver line-up as the RX6s to ensure tonal matching across the front. Key to the Silver RX range is Monitor Audio's Ceramic-Coated Aluminium Magnesium (C-CAM) metal alloy driver cones, which offer delicacy and dynamism in equally, while Rigid Surface Technology (RST) aims to reduce cone break-up and improve midrange clarity.Īlso inside is a new wider bandwidth, 25mm C-CAM gold dome tweeter pushing high frequency reproduction to over 35kHz, crucial for squeezing out the extra detail in Blu-ray and SACD/DVD-Audio discs. The RX6s might be stumpier than many floorstanders at just 850mm high, but they're deceptively heavy – you get the sense that there's tons of technology inside just bursting to make itself heard.Īnd indeed there is.
The clumsy base plinths are the only aesthetic mis-step. A choice of four real wood veneers offers a classy alternative. Key to the design are the slim cabinets, made possible by the compact C-CAM drivers that form the heart of each speaker, as well as the sumptuous high-gloss black finish.
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